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Portfolio

I embrace and render what is offered, open to an ever-changing world. I love a myriad of subject matter, ranging from landscape to narrative and people, with a particular affinity for street photography. With a little luck, a photograph can share a figment of reality, a fleeting glimpse, and in that moment the invisible becomes real.

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In the early years of my photography career, I used Nikon F, then adopted a Leica M4, mostly with a 35mm lens to best approximate my field of vision. My analogue photographs are now scanned and printed digitally. With the advent of digital photography I have moved on to Nikon cameras again, from the D700 on, I now use a mirrorless Z6 III, often using handheld flash, as I learned to explore with my Leica. My prints are processed digitally to museum conservation standards.

In May and June of 1978—less than three years after Franco’s death—I traveled through Spain with my camera. The country was in the middle of La Transición, suspended between the weight of forty years of dictatorship and the uncertain promise of a new democracy under Adolfo Suárez. Rather than focusing on political headlines, I was drawn to the subtle, human beats beneath the intense sun: quiet moments in public squares, crowds lingering after a bullfight, or a solitary morning stroll. These photographs capture everyday people shaking off decades of shadows, stepping into a pivotal threshold of history.

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